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Review of the movie Love-Carrot 2. Couples (Topic)

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Review of the movie Love-Carrot 2. Couples

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Once Andrei and Marina Golubevs exchanged bodies. Through a simple search for compromises in matters of everyday life and the revival of former feelings, they were able to return everything to its place. What has this story led to? To twins: Gleb and Sveta. 10 years later, children are celebrating their birthday, parents – conclusion of a profitable contract. They again live together, but already four of them, and again in completely different lives, not understanding each other. It seems that this time too, one cannot do without the intervention of magic (and a family psychoanalyst).

And on the first day of their 11th year of life, Gleb and Sveta woke up in the bodies of their parents. This is a gift! Much better than the robotic dogs we got from their parents yesterday morning. Mom and dad, daughter and son – what could be more interesting than mixing these two pairs well. How much they did not know about each other: you can start with obvious anatomical details, and end with Sveta's school crush and Andrey's office adventures to the left.

The world of the `` big '' ones. turns out to be much more difficult. How easy it would be to wake up in the morning and, having decided who you want to work today, go to such a job. The painful issue of employment in an era of crisis, and should be resolved: carefree. With a professorial degree – go to dance a striptease or advertise belyashi on Leninsky, with vast experience and brilliant economic education – get a job as a waiter in a Chinese restaurant. And all this in order to understand: mom and dad really earn money with hard work.

Yesterday Marina was evaluating the diamond `` Maharaja's Tear '' for sale, and the tipsy Andrey flirted with the customer. Today – he has non-alcoholic depression, and there is no one in the school choir to shoot a cigarette. Parents in the bodies of children understand in which cage of small obligations they drove their children.

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Then it turns out that the diamond was stolen, that Andrey's company lost a lot of money, that their house is about to go under the hammer, it becomes clear – even as a child, you can and should fight.

It is worth making a curtsey towards the part of the scriptwriters that was responsible for the humorous component. Andrei and Marina, initially advertising carrot juice, turn around in the bodies of children and begin to play with words and situations. While Gleb and Sveta look much more laconic in the roles of adults in children's bodies: seriousness and severity suit them.

Where to get away from poorly hidden advertising and slightly stretched connecting phrases? To the pantomime theater. & laquo; Love – carrot 2 '' good because it does not pretend to be the `` best comedy of the year '' (or even decades - after all, impudence, second happiness), not for titles for a director or actors. This is exactly the option when families go to the movies in order to laugh in the middle, at the end to forget the tense beginning, and to think about the credits - what juice did they drink at breakfast?

Where to get away from poorly hidden advertising and slightly stretched connecting phrases? To the pantomime theater. & laquo; Love – carrot 2 '' good because it does not pretend to be the `` best comedy of the year '' (or even decades - after all, impudence, second happiness), not for titles for a director or actors. This is exactly the option when families go to the movies in order to laugh in the middle, at the end to forget the tense beginning, and to think about the credits - what juice did they drink at breakfast?

Where to get away from poorly hidden advertising and slightly stretched connecting phrases? To the pantomime theater. & laquo; Love – carrot 2 '' good in that it does not pretend to be the best comedy of the year (or even decades - after all, impudence, the second happiness), not for titles for a director or actors. This is exactly the option when families go to the movies in order to laugh in the middle, at the end to forget the tense beginning, and to think about the credits - what juice did they drink at breakfast?

when families go to the cinema to laugh in the middle, to forget the tense beginning at the end, and to think about the credits – what juice did they drink at breakfast?

when families go to the cinema to laugh in the middle, to forget the tense beginning at the end, and to think about the credits – what juice did they drink at breakfast?

The Topic of Article: Review of the movie Love-Carrot 2. Couples.
Author: Jake Pinkman


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