Review of the movie Carrier 4: Legacy. Statham is gone (Topic)

In the now distant 2002, the original crime thriller from producer Luc Besson “ Carrier ” made a considerable impression on the audience, gaining an almost cult status and ascending Jason Statham to the star peaks. It would be logical to expect that the restart of the trilogy will achieve at least half of that success and will present a replacement for Statham in the person of Ed Skrein, who so wanted to show off on the big screen that he gave up Game of Thrones. However, since nothing remained of the formula of the first movie except Besson himself, who again oversees everything from his production chair, it should not be particularly surprising that "Transporter 4: Legacy" cannot be called anything other than a failure. Moreover, by all criteria.

This is not just a bad movie. This is that rare type of movie in which everything from dialogue to action seems far-fetched in the most violent and eminently unnatural way. A set of cardboard characters, randomly placed on a chessboard, are free to do whatever they want, so it sometimes feels like watching a child play in a sandbox. And when the direction is just as disappointing in all respects, then even a smile in the end this game will not cause.

If you are really looking for one word that could convey all the emotions after viewing, then it will be `` absurdity ''. For the most part, the movie is simply ridiculous, finding itself somewhere on the verge of absurdity and outright shame, because nothing - and ndash; I repeat, nothing – He is not seen in the slightest degree until the credits.

The plot is a mess of cliches, repetitions of events two minutes ago and some utter nonsense, now and then interrupted by chases, with the Audi logo constantly looming before our eyes. Let's say that the first trilogy about the carrier was not too realistic, and the franchise `` Fast and the Furious '' enjoys considerable popularity, but if in them it was possible to accept the set conditions of the game thanks to the exciting direction, then in the “ Carrier 4 ” everything is reduced to the proven techniques of fast editing and slow motion shooting in the same type of scenery of European cities, which all fans of the `` Hostage '' have seen many times. So even the entertainment of the “ Carrier ” It will be difficult to name it, it's like chewing a chewed gum.

The fact that Ed Skrein fits into the context of the movie as badly as an elephant in a china shop was already noticeable in the promotional materials, but he also turned out to be a very mediocre actor with a disastrously flat reading of many – even branded – phrases. One plus is that, with the exception of the excellent Ray Stevenson, the scenes with which became the only decoration of this movie, no one can replay it, which in itself sets the bar below average.

One would expect joy in action, but he, albeit in excess, flies by without catching. The point here is either in the general choreography of fights or the staging of chases, or perhaps even an unsuccessful sound editing, but if many scenes in action movies of recent years directly pulled the viewer into a whirlpool of intense events, then when watching `` Carrier 4 '' you distinctly feel like an uninvolved person observing all events from afar, like an outsider.

Therefore, no matter how much the father of the protagonist is kidnapped in the person of the charming Stevenson and threatened to shoot him in the head, no one wants to worry, and Besson exploits the same themes in all his movies already pretty tired. Variety is lacking in storyline, visual language, and over-the-top music.

In the end, if you're a big fan of Audi commercials, then maybe `` Carrier 4: The Legacy '' will be the perfect movie trip for you. After all, in fact, this is one long television commercial, designed to sell cars rather than movie tickets.

The Topic of Article: Review of the movie Carrier 4: Legacy. Statham is gone.
Author: Jake Pinkman