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Review of the movie American. Lay low in the Apennines (Topic)

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Review of the movie American. Lay low in the Apennines

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The cool, but frayed killer and gunsmith is hiding from his haunting past in a remote Italian town in the Apennine mountains. He undertakes to fulfill the last order - to make for a spectacular European woman with ice eyes a weapon `` with the power of a machine gun and a rifle radius '' - and then intends to retire. The Dutch visionary clip maker Anton Corbein shot the second movie about an attempt to resuscitate the soul - `` American. ''

Films about people who seek `` not happiness, but peace '' will soon turn into an independent genre - a viscous, slow narration in them and a painful lead atmosphere set them in a special way. " American " movieed not to have fun on it, but to perceive and think, and most of the moviegoers will fall off it after the first half hour.

George Clooney, attracting female attention from the movie poster in the tape itself is a frozen statue. Appearing in the opening episode with a beard and a knitted hat looking like an Islamic fundamentalist, the rest of the time he maintains a corresponding expression on his face and eyes. Not caring about the pleasure of the audience, he walks along the screen with a stone face, makes a miracle rifle for a beautiful killer, or `` talks '' - or rather, drops replicas at intervals of `` once an hour. ''

And around - divine Italy and the foggy Apennines: cobbled streets of a small town, bathed in orange light at night, quaint road loops in the mountains , deserted forest lawn on the bank of a fast river ...

Plot in "American" - with a teaspoon: from the book that served as the basis for the script, Corbijn left only the plot, taking all the other details and strokes into blackout. As a result, the main strength of the movie was only a dense, physically perceptible effect of presence - having a magnetic effect, since the movie was movieed in the majestic mountains, and, according to Corbijn, there were no analogues of this area in the cinema.

There is a minimum of actions in the picture, but few the murders that exist are very impressive and cause an unpleasant chill. The main actors play as in masks: Clooney and Teklu Ryuten (killer) lively replays mercury in explosive cartridges - it has more passion and expression. The Holy Father, with whom Clooney's hero, Jack, developed a semblance of friendship, acts as the author's commentary - a "word-for-word" to slow events. There is also Violante Placido (daughter of Michele Placido) in the role of a prostitute, and she is charm itself: you never get tired of looking at her smile.

Within the meaning of " American " remarkably similar to Martin McDonagh's poignant movie Go Down in Bruges (down to individual remarks about the city-s'ad Bruges and about the hell in which the American Jack lives).

But the touching Colin Farrell in Bruges, who cannot forgive himself without redeeming - is more alive than dead - inspires empathy and empathy.

And Corbijn made a movie about a virtually dead person : for the entire tape in Jack, if something moves, it is hardly a soul - rather, white bubi worms that will devour us all in a coffin. For a movie with a comatose storyline, this is like a control in the head: it leaves no hope.

than dead - evoking empathy and sympathy.

And Corbijn made a movie about a virtually dead person : for the entire tape in Jack, if something moves, it is hardly a soul - rather, white bubi worms that will devour us all in a coffin. For a movie with a comatose storyline, this is like a control in the head: it leaves no hope.

than dead - evoking empathy and sympathy.

And Corbijn made a movie about a virtually dead person : for the entire tape in Jack, if something moves, it is hardly a soul - rather, white bubi worms that will devour us all in a coffin. For a movie with a comatose storyline, this is like a control in the head: it leaves no hope.

for the whole tape in Jack, if something moves, it is hardly a soul - rather, white bubi worms that will devour us all in a coffin. For a movie with a comatose storyline, this is like a control in the head: it leaves no hope.

for the whole tape in Jack, if something moves, it is hardly a soul - rather, white bubi worms that will devour us all in a coffin. For a movie with a comatose storyline, this is like a control in the head: it leaves no hope.

The Topic of Article: Review of the movie American. Lay low in the Apennines.
Author: Jake Pinkman


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