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Review of the movie Angelica, Marquis of Angels. Is there magic in the remakes? (Topic)

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Review of the movie Angelica, Marquis of Angels. Is there magic in the remakes?

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During the past holidays, National TV did everything to revive the viewer's interest in the history of the 17th century French Amazon Angelica de Sanse, showing the entire famous franchise of the 1960s. The father actually sells the young beauty to the rich Comte de Peyrac, disfigured by a serious injury, to the `` devil '' and the `` sorcerer '' in the eyes of the ignorant. Hatred and dislike for her spouse gradually develops into love, but Peyrac's fabulous wealth arouses the envy of King Louis XIV and his henchmen, and Peyrac falls into the Bastille, and Angelique devotes herself to revenge.

For In the mid-twentieth century, the series of novels and the series of movies about Angelica made on their basis became significant. The books of the spouses Anna and Serge Golon (Simone Shangeo and Vsevolod Golubinov), which have sold over 150 million copies associated with the sexual revolution in the West, and the movies became a tuning fork of sensuality, beautiful eroticism, close to the border of soft porn by the standards of the 1960s, the most touching and dizzying love story, leaving Romeo and Juliet behind themselves, finally, the legend of a real Woman — indomitable, passionate, loyal, breathtakingly desirable. The success of the movie was facilitated by Michel Mercier as Angelica, the sex symbol of French cinema of the 1960s, languid and sensual, relaxed and daring, the ideal object of desire with creamy skin, beautifully painted almond-shaped eyes and golden-haired wigs.

Everything is different in the new movie. There are plot moves and characters in the most general sense, but there is no literal quotation. It is still a classic poetic costume movie with palace intrigues, unusual sword duels, delightful costumes, the glitter of an aristocratic setting and the squalor of the Parisian bottom. With excellent camera work (Peter Zeitlinger) — long solid scenes, unusual light, many candles in night scenes. But it has less molasses, romanticism, a step towards realism has been made, purely political lines have been strengthened in the spirit of the realities of today — confrontation between the monarchical government and its opponents, added religious and philosophical motives. The visual range is more ascetic, the redundancy of the baroque gave way to a bit of gothic restraint and respectability, and eroticism to chastity — again by today's standards, since a single intimate scene would make the characters of Michel Mercier and Robert Hossein blush.

Tunisian director Ariel Zeytoun has a soft spot for independent and strong women, this interest is marked by his participation in the projects `` Pretty Women '';, " Bandits ", " Colombiana. In Angelica, he saw an innate aristocracy, high dignity, which are fueled not by insipid morality, but by free will and extreme independence. After all, she was raised as a boy, all her stubbornness and directness come from childhood. Nora Arnezeder, 24, a rising star in French cinema (Paris, Paris, Cape Town Access Code, Maniac) is not as feminine as Michelle Mercier, but not nearly as ephemeral. It has the beauty of youth, irrepressible energy, iron will, reckless courage and desperate passion.

Gerard Lanvin in the role of Count Geoffrey de Peyrac formally departs from the literary source. Lanvin is 63, not 40 as Peyrac. But this choice is much more in line with the spirit of the book than Robert Hossein — Peyrac 1960s. It is the palpable age difference and the accentuated physical imperfection of Peyrak-Lanvin that make the young wife's initial dislike for him more understandable. The beauty refuses the monster, but pretty soon discovers that behind the mask of the monster and the devil is a noble knight, an intellectual, a sophisticated lover and a soul that has endured much suffering. Lanvin is full of life, sophisticated, charming, intelligent and very natural as a wealthy aristocrat of the 17th century. Zeytun saw him as Odysseus, who returned from long wanderings and found harmony in deep mutual love.

Nora and Gerard are talented actors whose names are associated with cult movies of recent years. Tomer Sisle (Largo Vinch, Sleepless Night) as Angelica's cousin, the Marquis de Plessis-Beller, Nicolas — Mathieu Kassowitz (" Hatred ", " Munich ") attorney Degre — Simon Abkaryan (Casino Royale, Target Number One), King Louis — David Cross (The Reader).

The movie ends with the title End of Part One. It is clear that a project with a good commercial perspective, even if he yields to the original source in cult, it will continue. In principle, all the plot motives of the novels are relevant today — reality and illusion, good and evil, loyalty and betrayal, power and opposition, feminism and femininity, tragedies and happiness of love. And 92-year-old Anna Golon liked the new movie adaptation much more than the interpretation of the director Bernard Borderie in the 1960s.

If you do not forget that the remake, by definition, offers a new interpretation of the original source with amendments to a new social context, and not look back to the 1960s, then Ariel Zeitun's movie Angelica, Marquis of Angels can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

will continue. In principle, all the plot motives of the novels are relevant today — reality and illusion, good and evil, loyalty and betrayal, power and opposition, feminism and femininity, tragedies and happiness of love. And 92-year-old Anna Golon liked the new movie adaptation much more than the interpretation of the director Bernard Borderi in the 1960s.

If you do not forget that the remake, by definition, provides a new interpretation of the original source with amendments to a new social context, and not look back at the 1960s, then Ariel Zeitun's movie Angelica, Marquis of Angels can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

will continue. In principle, all the plot motives of the novels are relevant today — reality and illusion, good and evil, loyalty and betrayal, power and opposition, feminism and femininity, tragedies and happiness of love. And 92-year-old Anna Golon liked the new movie adaptation much more than the interpretation of the director Bernard Borderie in the 1960s.

If you do not forget that the remake, by definition, offers a new interpretation of the original source with amendments to a new social context, and not look back to the 1960s, then Ariel Zeitun's movie Angelica, Marquis of Angels can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

In principle, all the plot motives of the novels are relevant today — reality and illusion, good and evil, loyalty and betrayal, power and opposition, feminism and femininity, tragedies and happiness of love. And 92-year-old Anna Golon liked the new movie adaptation much more than the interpretation of the director Bernard Borderie in the 1960s.

If you do not forget that the remake, by definition, offers a new interpretation of the original source with amendments to a new social context, and not look back at the 1960s, then Ariel Zeitun's movie Angelica, Marquis of Angels can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

In principle, all the plot motives of the novels are relevant today — reality and illusion, good and evil, loyalty and betrayal, power and opposition, feminism and femininity, tragedies and happiness of love. And 92-year-old Anna Golon liked the new movie adaptation much more than the interpretation of the director Bernard Borderie in the 1960s.

If you do not forget that the remake, by definition, offers a new interpretation of the original source with amendments to a new social context, and not look back at the 1960s, then Ariel Zeitun's movie Angelica, Marquis of Angels can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

loyalty and betrayal, power and opposition, feminism and femininity, tragedies and the happiness of love. And 92-year-old Anna Golon liked the new movie adaptation much more than the interpretation of the director Bernard Borderi in the 1960s.

If you do not forget that the remake, by definition, provides a new interpretation of the original source with amendments to a new social context, and not look back to the 1960s, then Ariel Zeitun's movie Angelica, Marquis of Angels can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

loyalty and betrayal, power and opposition, feminism and femininity, tragedies and the happiness of love. And 92-year-old Anna Golon liked the new movie adaptation much more than the interpretation of the director Bernard Borderie in the 1960s.

If you do not forget that the remake, by definition, offers a new interpretation of the original source with amendments to a new social context, and not look back at the 1960s, then Ariel Zeitun's movie Angelica, Marquis of Angels can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

than the interpretation of director Bernard Borderi in the 1960s.

If you remember that the remake, by definition, offers a new interpretation of the original source, adjusted for a new social context, and not look back at the 1960s , then Ariel Zeitun's movie `` Angelica, Marquis of Angels '' can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

than the interpretation of director Bernard Borderi in the 1960s.

If you remember that the remake, by definition, offers a new interpretation of the original source, adjusted for a new social context, and not look back at the 1960s , then Ariel Zeitun's movie `` Angelica, Marquis of Angels '' can be considered a solid movie adaptation with an original alternative view of the fate of the married couple Angelique and Geoffrey de Peyrac.

The Topic of Article: Review of the movie Angelica, Marquis of Angels. Is there magic in the remakes?.
Author: Jake Pinkman


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